Tuesday, December 10, 2013
Sunday, December 8, 2013
Kwei-lin Lum just sent me pictures of a remarkable new acquisition to her collection: "Fairy City and A Story of The Giants of Lilliputania." Here's Kwei-lin with more information:
It's a paper toy miniature city from 1919 which was designed by a man who had designed paper dolls in 1917. His full name was Will Pente and I suspect that his wife Meta was a suffragette. He seems to have been quite the dreamer. The set comes with a small booklet written (not particularly well) by Will Pente from 1916 which is the story on which this set is based. I see that it came out in a full book in 1917, now rare and with color illustrations, where Will Pente was a collaborator but the author was H.S. Tibbs.
Inside: a large cardboard city map, "The Giants of Lilliputania, An Animated Fairy Tale," which includes a standing backdrop of a river view panorama, 24 pre-cut cardboard buildings of stores, city hall, opera house, school, and garage. To punch-out: a giant Irish policeman, German professor, Chinese laundryman, full circus, fire truck, airplane, hot air balloon, and passenger cars. The tallest structure is the Woman’s Temple. Kwei-lin's research found that a huge 12-story Women’s Temple in Chicago was built in 1892 as the headquarters of the Women’s Christian Temperance Union; it was demolished in 1926. Kwei-lin notes that this paper toy came out just before Prohibition and the passage of the 19th amendment, which gave women the vote.
Fascinating indeed. A few years ago, I read a book called "Last Call," by Daniel Okrent, about how the Prohibition and suffragist movements converged -- women were the force behind banning alcohol which destroyed so many families, and it empowered them to fight for the vote as well. And "Lilliput" as a word to describe something small came out of Jonathan Swift's "Gulliver's Travels," the great 18th-century political satire. I also appreciate the ethnic groups represented here, albeit in stereotype -- this was during the great wave of European immigration to the U.S.
Click on the photos to enlarge, and find such gems as "Groceries -- Adam Hustler," or "I.M. Pillman -Druggist."
More from Kwei-lin:
This set was on exhibit at an architectural exhibit space in Montreal about 15 years ago and the curator noted the industrial nature of the buildings. The Woman's Temple is far more modern than the one in Chicago. The street- front windows have weird stuff, including a harp and maybe a drum, guns, and barrel, feels a little masonic. And then there's Lung Laundry with a Chop Suey restaurant on the second floor. . .
Thank you for sharing this with us, Kwei-lin! A great find.
Thursday, December 5, 2013
Wednesday, December 4, 2013
UPDATE: Kwei-lin just sent me the following information:
I do not know for sure what media were used for Gene Maiden's original. However, from the look of it, and from what I've seen of very old paper dolls, I'm almost certain that it would be watercolor. Absolutely not pastel or pencil. You can see brushwork and there's a transparency typical of watercolor. I call this type of paper doll an overlay because that's what others out here in L.A. call it. It's the kind which has a specific sized format and each panel or oval lays on top of the other, and all fit very well into a box.
Another wonder from the collection of Kwei-lin Lum. This is an excellent copy of a Gene Maiden antique. An androgynous profile, with clothing that is both masculine and feminine. The hat and costume are placed over the profile, each time creating a delightful transformation.
Sunday, December 1, 2013
Thursday, November 28, 2013
Tuesday, November 26, 2013
This illustration reminds me of 1940s-era movie cartoons.
That's a red feather, still intact after all these years since "Uncle Bob" sent it to "Dear Honey."
And the back has a witty embellishment on the Norcross logo!